A gripping story of family, race and the American Dream.

“You born with two strikes on you before you come to the plate.”

Troy is a former baseball player who could’ve gone pro. He spends his days collecting garbage and his evenings spinning stories for family and friends. He is funny, charismatic and fiercely proud. He’s also a man with flaws, shaped by a lifetime battling a world that denies his dreams. And the scars run deep.

His wife, Rose, sees America changing. She dares to believe life can be different and dreams that their son, Cory, will have the freedom that Troy never did. But as she works to break the cycles holding her family back, Troy’s frustration and bitterness threatens to tear them apart.

Alive with rhythms of blues and jazz, humour and heartbreak, Fences is August Wilson’s Pulitzer prize-winning masterpiece. Set in the 1950’s, it is a timeless and deeply human portrait of grief, love and what it means to be a family in post-war Black America. 

One of the defining plays of the 20th century, it returns to the UK for the first time in over a decade in a vital new production directed by award-winning director Daniel Bailey (Red Pitch, West End).

Cast

Creatives

Writer August Wilson

Daniel is a director for stage and screen, a dramaturg, and a writer. He was formerly Associate Artistic Director at the Bush Theatre, London, having joined the team in 2019.  He made his West End debut in 2024 with the award-winning RED PITCH, which he originally directed at the Bush (2022 and 2023), and for which he received The Stage Debut Award for Best Creative West End Debut.

Other roles include Associate Director at Birmingham Rep Theatre, Associate Artist at Theatre Royal Stratford East, Resident Director at the National Theatre Studio, Resident Assistant Director at The Finborough Theatre, and Artistic Director of New Heritage Theatre. Daniel is also the Chair of Judges for Alfred Fagon Awards.

Other directing work at the Bush Theatre includes Beru Tessema’s WOLVES ON ROAD, Lenny Henry’s AUGUST IN ENGLAND (co-directed with Lynette Linton), and Temi Wilkey’s THE HIGH TABLE (Stage Debut Award winner 2020).

Other Directing credits include the US premiere of RED PITCH (Olney Theatre, Washington DC); THE BOY WITH WINGS adapted by Arvind Ethan David from the book by Lenny Henry (Polka Theatre); I WONDER IF (Young Vic Theatre); BLUE ORANGE; CONCUBINE; STUFF; I KNEW YOU; ABUELO, JUMP! WE’LL CATCH YOU; MADE IN INDIA/BRITAIN; and EXHALE (Birmingham Rep).

Casting Director Heather Basten CDG

Lily Arnold is a theatre designer whose designs include: Emma and The Boy at the Back of the Class (Rose Theatre), Consumed (Paines Plough) Marie and Rosetta (Chichester, Rose Theatre) Hamlet and Hey Christmas Tree! (Chichester), Snow In Midsummer, The Jew of Malta, The Rape of Lucrece,  King Lear,  The Taming of the Shrew (RSC) The Capulets and The Montagues/ What Dreams May Come (English Touring Opera) God of Carnage, A Doll’s House (Lyric Hammersmith), Room (Abbey, Dublin/Theatre Royal, Stratford East, The Grand Theatre, Princess Of Wales, Toronto), Consumed (Paines Plough / Belgrade Coventry) Toto Kerblammo, Jeramee, Hartleby & Ooglemore (Unicorn), The Girl on the Train, The Importance of Being Earnest (Leeds Playhouse), Pah-La (Royal Court), Things Of Dry Hours (Young Vic),The Remains Of The Day, Rules for Living (Royal & Derngate), Leopards (Rose Theatre, Kingston), Jack and the Beanstalk, Village Idiot, Dick Wittington, Sleeping Beauty (Stratford East), The Unreturning [costume design] (Frantic Assembly), Love Lies Bleeding (Print Room), Henry V (Tobacco Factory),  Dublin Carol (Sherman), Broken Biscuits (Paines Plough/Live), Bits of Me Are Falling Apart (Soho), The Solid Life of Sugar Water (National/Theatre Royal, Plymouth),  I Cinna (The Poet),  Forget Me Not (Bush Theatre), So Here We Are (HighTide/Royal Exchange), Happy New (Trafalgar Studios)

Khalil is an award nominated music artist, composer, writer, actor and filmmaker. In 2024 Khalil was nominated for a Black British Theatre Award for his Sound Design work.

              

Theatre work as Sound Designer includes Julius Caesar (Tangle Theatre); Two Gentlemen of Verona (RSC); Why a Black Woman Will Never Be Prime Minister (Camden Peoples Theatre); G (Royal Court); Red Pitch (Bush/Soho Place – Offie Nomination for Best Sound Design); No More Mr. Nice Guy (Broadway Theatre, Catford/UK tour); Brenda’s Got a Baby and Metamorphoses (both New Diorama); Divine (Arts Ed); This is What the Journey Does (Old Vic, as part of One Voice: HOME series) and The Poison Belt (Jermyn Street). 

              

Work as Composer and Sound Designer includes Fatherland (Hampstead Theatre); Animal Farm (Theatre Royal, Stratford East/Leeds Playhouse/Nottingham Playhouse); Revealed (Belgrade Theatre, Coventry); Gone Too Far! (Theatre Royal, Stratford East); Sound Clash: Death in the Arena (Pleasance One, Edinburgh Fringe); Revealed (Tobacco Factory, Bristol) and Can I Live? (Barbican). 

 

Lighting Designer Jai Morjaria
Movement Director Shelley Maxwell
Fight Director Kev McCurdy
Design Associate Emily King